Born: September 23, 1827, Geneseo, New York.

Died: 1907, Los Angeles, California.

Grannis’ fam­i­ly moved to Le Roy, New York in 1831. His father, Samuel owned a hardware business which in 1844 was lo­ca­ted in the Bar­rett Block, known as the “Dock,” on the present site of the Le Roy Post Office. Samuel was in­volved on the Un­der­ground Rail­road. Sidn­ey would drop into Sam­u­el’s Store where he would sit down at the melodeon and sing until the room filled with pe­ople.

Although it was said that he ne­ver learned to read music, he wrote music to several poems. Grannis established a re­pu­ta­tion with Do They Miss Me at Home? Car­o­line Ma­son wrote the po­em “Do They Miss Me At Home?” and Sid­ney Gran­nis put it to music. It became a pop­u­lar fa­vo­rite dur­ing the Civil War. One of the lines reads: “Does someone repeat my name over and sigh that I tar­ry so long? And is there a chord in the mu­sic “That’s miss’d when my voice is away, And a chord in each heart that awaketh, regret at my wearisome stay?” He also composed the ballads, Only Waiting, Cling to the Union, and Peo­ple Will Talk You Know.

In 1856 Gran­nis wrote the words and music for “Sparking Sunday Night.” Sheet music was published by Jo­seph P. Shaw, Ro­ches­ter, New York, af­fil­i­at­ed with Ol­i­ver Dit­son (Boston), who also distributed the song. The sheet mu­sic is pre­served in the Sib­ley Library, East­man School of Mu­sic, University of Rochester, New York.

As a solo sing­er, Sid­ney had a re­mark­a­ble ten­or voice, and it was said that his voice “was of mar­ve­lous flex­i­bil­i­ty, sweet as a flute, and had a range of three octaves.” A newspaper in Pultneyville men­tioned that Gran­nis per­formed at the Un­ion Church in 1864 “to an ap­pre­ci­a­tive au­di­ence.” He sang at more than five thou­sand con­certs. He or­ga­nized the Am­phi­on Troupe, a vo­cal quartet which in­clud­ed “Pix­ley and Bry­ant” and Em­i­ly Good­e­nou, who sang solo. The group toured the country giving concerts.

In 1864, Sid­ney was in New Ha­ven, Con­nec­ti­cut, where he com­posed his music for “Your Mission.” In the lat­er days of the Ci­vil War, Philip Phil­lips, who had a won­der­ful­ly sweet ten­or voice, was invited to sing at a great meeting of the United States Christ­ian Com­mis­sion in the Sen­ate Cham­ber at Wash­ing­ton, Feb­ru­a­ry, 1865, Pre­si­dent Lincoln and Se­cre­ta­ry Sew­ard (then pre­si­dent of the com­mission) were there, and the hall was crowd­ed with lead­ing states­men, ar­my gen­er­als, and friends of the Un­ion. The song se­lect­ed by Mr. Phil­lips was Mrs. Gates’ Your Mission. The hushed au­di­ence list­ened spell-bound as the sweet singe­r went on, their in­ter­est grow­ing to fe­ver­ish ea­ger­ness un­til the cli­max was reached in the fifth stan­za. In the storm of en­thu­si­asm that fol­lowed, Pre­si­dent Lin­coln hand­ed a has­ti­ly scrib­bled line on a bit of pa­per to Chair­man Sew­ard, “Near the close let us have ‘Your Mis­sion’ re­peat­ed.”

In 1884, Sid­ney moved to Los An­ge­les, Cal­i­for­nia, where sev­er­al of his admirers presented him a cottage and grounds. It was said of him: “He was the best man we ev­er knew, go­ing in and out among us like a ray of light, never complaining, always cheerful, always happy, never a cloud on his sun­ny coun­te­nance. His na­ture was mu­sic­al, he loved to sing. His songs were in­spir­ing, his mirth con­ta­gious. Who that has heard his fa­vo­rite laugh­ing song, can forget his sun­lit face, or fail to re­call the ef­fect the song pro­duced? His in­vi­ta­tion “please join the cho­rus” was su­per­flu­ous. Through­out this broad land his rol­lick­ing laugh­ter has been heard and his sweet and mu­sic­al songs have flowed like sooth­ing and peace giving rivers.”

Sources

Music

  1. Your Mission

Wanted