Words: , Hymns: As a Sequel to Matins, 1825. Music: Watchman (Mason), , The Boston Handel and Haydn Society Collection of Church Music, 10th edition, 1831. Alternate tunes:
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Perhaps no piece can be found which is more familiar to the American churches than this…Every man seems to think he understands it, and gives a force to its challenge in the direction of missionary effort at once. The brief prediction in Isaiah 21:11, 12, is, however, one of the most obscure in the Bible. The entire prophecy is contained in two verses of the chapter, and appears to bear no relation to what goes before it or what follows. But the image it presents is singularly dramatic and picturesque. The scene is laid in the midst of the Babylonian captivity. A lonely watchman is represented as standing on the ramparts of some tower along the defences of the citadel. He seems to be anxiously looking for the issues of the siege laid against it. The time is midnight. Calamity is over the land. The people are afflicted. Their enemies are pressing them hard. That solitary sentinel sadly remains at his post, peering into the unlit gloom, trying to discern signs of deliverance. But the heavens are starless and the impenetrable clouds keep rolling on. Suddenly an unknown voice pierces the air. Whether in wailing sorrow or in bitter taunt, is not evident; but out from the stillness already grown oppressive breaks the question with repetitious pertinacity—“Watchman, what of the night? Watchman, what of the night?” The sentinel waits through a moment of surprised meditation, and then tranquilly answers: “The morning cometh, and also the night: if ye will inquire, inquire ye: return, come.” Then the dialogue lapses into silence again, the night gathers its unbroken shadows deeper than ever.
This hymn evokes a vivid childhood memory. Two men with deep, sonorous voices sang this song at the Christmas Eve midnight service each year as long as we can remember. The church was dark, the watchman’s and traveler’s two lanterns giving the only light in a hushed sanctuary. The watchman stood at the altar, and the traveler slowly made his way down the aisle, as the two sang the question-reply verses to each other. It was hard to miss the symbolism of the lonely traveler making his way to the One Who sheds light on a dark world.
Watchman, tell us of the night,
What its signs of promise are.
Traveler, o’er yon mountain’s height,
See that glory beaming star.
Watchman, does its beauteous ray
Aught of joy or hope foretell?
Traveler, yes—it brings the day,
Promised day of Israel.
Watchman, tell us of the night;
Higher yet that star ascends.
Traveler, blessedness and light,
Peace and truth its course portends.
Watchman, will its beams alone
Gild the spot that gave them birth?
Traveler, ages are its own;
See, it bursts o’er all the earth.
Watchman, tell us of the night,
For the morning seems to dawn.
Traveler, darkness takes its flight,
Doubt and terror are withdrawn.
Watchman, let thy wanderings cease;
Hie thee to thy quiet home.
Traveler, lo! the Prince of Peace,
Lo! the Son of God is come!