Words: , Hymns: As a Se­quel to Ma­tins, 1825.

Music: Watch­man (Ma­son), , The Bos­ton Han­del and Hay­dn So­ci­e­ty Col­lect­ion of Church Mu­sic, 10th edi­tion, 1831. Al­ter­nate tunes:

  • Aberystwyth (Parry), , 1879
  • St. George’s Wind­sor, , 1858

Perhaps no piece can be found which is more fa­mil­iar to the Amer­i­can church­es than this…Every man seems to think he un­der­stands it, and gives a force to its chal­lenge in the di­rect­ion of mis­sion­a­ry ef­fort at once. The brief pre­dic­tion in Isai­ah 21:11, 12, is, how­ev­er, one of the most ob­scure in the Bi­ble. The en­tire pro­phe­cy is con­tained in two vers­es of the chap­ter, and ap­pears to bear no re­la­tion to what goes be­fore it or what fol­lows. But the im­age it pre­sents is sin­gu­lar­ly dra­ma­tic and pic­tur­esque. The scene is laid in the midst of the Ba­by­lon­i­an ca­ptiv­i­ty. A lone­ly watch­man is rep­re­sent­ed as stand­ing on the ram­parts of some tow­er along the de­fenc­es of the ci­ta­del. He seems to be anx­ious­ly look­ing for the is­sues of the siege laid against it. The time is mid­night. Ca­lam­i­ty is over the land. The peo­ple are af­flict­ed. Their en­e­mies are press­ing them hard. That sol­i­tary sen­ti­nel sad­ly re­mains at his post, peer­ing into the un­lit gloom, try­ing to dis­cern signs of de­liv­er­ance. But the heav­ens are starl­ess and the im­pen­e­tra­ble clouds keep roll­ing on. Sud­den­ly an un­known voice pierc­es the air. Whe­ther in wail­ing sor­row or in bit­ter taunt, is not ev­i­dent; but out from the still­ness al­rea­dy grown op­press­ive breaks the ques­tion with re­pe­ti­tious per­ti­na­ci­ty—“Watch­man, what of the night? Watch­man, what of the night?” The sen­ti­nel waits through a moment of sur­prised me­di­ta­tion, and then tran­qui­lly an­swers: “The morn­ing cometh, and al­so the night: if ye will in­quire, in­quire ye: re­turn, come.” Then the di­a­logue laps­es in­to si­lence again, the night ga­thers its un­brok­en sha­dows deepe­r than ev­er.

This hymn evokes a vi­vid child­hood mem­o­ry. Two men with deep, so­nor­ous voic­es sang this song at the Christ­mas Eve mid­night ser­vice each year as long as we can re­mem­ber. The church was dark, the watch­man’s and tra­vel­er’s two lan­terns giv­ing the on­ly light in a hushed sanc­tu­a­ry. The watch­man stood at the al­tar, and the tra­vel­er slow­ly made his way down the aisle, as the two sang the quest­ion-re­ply vers­es to each other. It was hard to miss the sym­bol­ism of the lone­ly tra­vel­er mak­ing his way to the One Who sheds light on a dark world.


Watchman, tell us of the night,
What its signs of promise are.
Traveler, o’er yon mountain’s height,
See that glory beaming star.
Watchman, does its beauteous ray
Aught of joy or hope foretell?
Traveler, yes—it brings the day,
Promised day of Israel.

Watchman, tell us of the night;
Higher yet that star ascends.
Traveler, blessedness and light,
Peace and truth its course portends.
Watchman, will its beams alone
Gild the spot that gave them birth?
Traveler, ages are its own;
See, it bursts o’er all the earth.

Watchman, tell us of the night,
For the morning seems to dawn.
Traveler, darkness takes its flight,
Doubt and terror are withdrawn.
Watchman, let thy wanderings cease;
Hie thee to thy quiet home.
Traveler, lo! the Prince of Peace,
Lo! the Son of God is come!